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Fine Art Paintings and Sculpture

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2005

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Learning to Paint

This is my first attempt at painting with a brush.
I desire the experience of different ways of expressing the human form, and find it intriguing.



 

Acrylic on wood panel
Size Width: 5.5 inches
Size Height: 9.25 inches
Size Depth: .75 inches

Idea
The figure study in paint
Learning to paint with Acrylics by brush. Utilizing personally developed color pallets and complements. 

Painting Surface
 Wood panel treated with flat black acrylic

Historical
Sampled captions of the nude is how the masters got the feel of their materials; finding out what could work and what would not.

Panel - 1


 

Flute in the Woods
Day 2

My eleventh attempt I discovered how free I can get by putting her in a robe. Need to learn how to make attractive foliage.

Acrylic on Masonite
Size Width: 8 inches
Size Height: 12 inches
Size Depth: .15 inches


 

Female Bather
Acrylic on canvas
This is my twelfth attempt at painting with a brush.

Artist: James Taylor
Title: Female Bather

Year Created: 2005
Medium: Acrylic on canvas
Width: 20 inches
Height: 16 inches
Depth: .75 inches


 

Waning
Acrylic on canvas
This is my thirteenth attempt at painting with a brush.

Artist: James Taylor
Title: Waning

Year Created: 2005
Medium: Acrylic on canvas
Width: 12 inches
Height: 24 inches
Depth: .75 inches


 

Recollection
Acrylic on canvas
This is my Fourteenth attempt at painting with a brush.

Artist: James Taylor
Title: Recollection

Year Created: 2005
Medium: Acrylic on canvas
Width: 18 inches
Height: 24 inches
Depth: .75 inches


 

Sentinel West
Oil on canvas
This painting is one of the Nautical series.

Artist: James Taylor
Title: Sentinel West

Year Created: 2005
Medium: Oil on canvas
Width: 28 inches
Height: 22 inches
Depth: .75 inches


 

 

Anny
Oil on canvas
This painting is one of the Seated Nude series.

Artist: James Taylor
Title: Anny

Year Created: 2005
Medium: Oil on canvas
Width: 24 inches
Height: 36 inches
Depth: .75 inches


 

Seated Nude in Chair
Oil on canvas board
This painting is one of the Seated Nude series.

Artist: James Taylor
Title: Seated Nude in Chair

Year Created: 2005
Medium: Oil on canvas board
Width: 8 inches
Height: 10 inches
Depth: .1 inches


 

Fisher Mates
Acrylic on canvas
This painting is one of the Nautical series.

Artist: James Taylor
Title: Fisher Mates

Year Created: 2005
Medium: Acrylic on canvas
Width: 12 inches
Height: 16 inches
Depth: .75 inches


 

 

Seated Nude
Oil on canvas
This painting is one of the Seated Nude series.

Artist: James Taylor
Title: Seated Nude

Year Created: 2005
Medium: Oil on canvas
Width: 24 inches
Height: 36 inches
Depth: .75 inches


 

 

Gorge The Dreamer
Oil on canvas
This painting is one of the Seated Nude series.

After Alexander Zemlinsky musical opera
Der Traumgorge (Gorge the Dreamer).

Artist: James Taylor
Title: Gorge The Dreamer

Year Created: 2005
Medium: Oil on canvas
Width: 24 inches
Height: 36 inches
Depth: .75 inches


 

 

Frank Crow
Oil on canvas
This is a painting of my uncle that just recently passed away.
We all miss him very much.

He was always a busy person and if you met him once
you probably will remember something about him.
Culton, Oregon

Artist: James Taylor
Title: Frank Crow

Year Created: 2005
Medium: Oil on canvas
Width: 12 inches
Height: 16 inches
Depth: .75 inches


 

 

Blue Sash
Oil on linen

This painting is an attempt at movement in chiaroscuro. A rough sketch in a relatively short amount of time using tube oil pigments, copal medium and turps.

Artist: James Taylor
Title: Blue Sash

Year Created: 2005
Medium: Oil on linen
Width: 9 inches
Height: 12 inches
Depth: .3 inches

Reclining Nude
Oil on linen

This painting is an attempt at movement: copal medium and turps.

Artist: James Taylor
Title: Reclining Nude

Year Created: 2005
Medium: Oil on linen
Width: 9 inches
Height: 12 inches
Depth: .3 inches

 

 
 

Artist Notes

Materials and Methods

As a firm believer of doing things right the first time… The artist’s materials and practice of applications of such are as important as the slow and fast line of a strong composition. Is the foundation of the old Masters like the Dutch and without knowing the materials, the artist will struggle too get the idea on the canvas and it will show. There lies the principle reason that we are able to enjoy the works of the Old Masters work today, they knew their materials and the applications.

I will not claim I know the materials and method secrets of the OM, but there are Artists and persons in Archival Science today that have dedicated their life to not only uncover these secrets, but improved on them to the point that we may have succeeded them.

There are materials and methods that have been past down through the ages by masters in oil painting that have been guarded and then reveled, horded and scandalized to a point that has created a confusion in most and a almost religious following in some.

Some members of this oracular following are Robert Doak, James Groves, Robert Howard and Tad Spurgeon and similar practitioners to name a few that are living and have a web presence without cracking a book. Their dedication and teachings are unparalleled as far as I am concerned. The knowledge and application of their craft is apparent, patrons and artisans alike would do well to have a look. Get Robert Doak on the phone in New York or Rob Howard in a forum and you will find out all the things you may be doing wrong.

Though I am diligent and meticulous in what I do and how I do it, I have only applied these “OM” materials and methods to Sixty paintings in the past two years and have found these methods of the utmost importance in the artistic form of oil painting. I have been a professional artist in one form or another for only 25 years, so I may not know what I am talking about. I do know that it works very well for me. I struggle not, except with myself to get the idea on the canvas and always planning for the next project.

I continue to enjoy the idea that my paintings not only have been enjoyed by others, but most important to me is the paintings have been done right by utilizing the highest quality materials and methods that I have collected from literature and other artists like those I have named.

James Taylor
Jan. 2007

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